IgnacioMillet
D.I.T. | Dailies colorist | Lab tech
IGNACIO MILLET
Greetings!
I’m Ignacio Millet, a digital imaging technician focused in color grading, either on set with live-grading or near set with last tech dit van. I ensure consistency of image and color pipelines between set, production, VFX and post, working with knowledges of color science, monitor calibration, high-budget workflows and technical setups.
Love creating, adapting and tweaking LUTs for each project. Looking to burn on them the essence of DoP's vision.
STILLS FROM SET
Color on set for Dailies
COMMERCIALS
DoP
Matias Penachino Mauro Chiarello Rina Yang Ben Fordesman Paul Ozgur Krille Forsberg Maximilian Pittner Arseni Khachaturan Erik Messerschmidt Arnau Valls Darius Khondji Oscar Faura Antoine Cormier Zack Spiger Benjamin Todd JuanmiAzpiroz Jose Luis Bernal Pepe Gay Jack Reynolds Octavio Arias Carlos Feher In Seon Kim Michal Babinek Stuart Graham Todd Martin Adreas Borjstren Torsten Lippstock Hugo Carlier Jorge Roig Beatriz Sastre Jose Luis Bernal Alex Catalan Nilo Zimmerman Mihai Malaimare jr.
DIRECTORS
Ian Pons Jewel Jaron Albertín Reynald Gresset Jonas Lindstroem Caroline Koning Maxi Blanco Loren Denis,Daniel Björkman MANSON Tristan Holmes Tom Kuntz Marc Corominas Ludovic Gontrand Jong Hoon Lee Mario Sanz Rane Tiukannen Pat Sherman Biceps Hanki Goh Anita Fontaine Traktor Pantera BRBR Pat Sherman Ida Cuellar
FEATURE
DIT | Dailies | Lab tech
ON SET
COLOR
MONITOR CALIBRATION
DAILIES
CLOUD
COLOR
Deep color experience with knlowledge in ACES and Yrgb, exploring different color spaces and color models. Enjoying print film emulations (PFE) and loving Showlut design. Doing Color on Set or next to with Davinci Resolve and Pomfort Live Grade. Next to set working with a DIT Van (mobile Lab) with full energy autonomy. Equipments ready with massive TB storage capacity in RAID 5 for safety backups of OCF, SSD Raids for fast data transfer, convenient hardware for grading and Calibrated 25" Top gama Oled technology monitors.
MONITOR CALIBRATION
Monitor calibration with Colour Space for a consistent and reliable on-set image display.
DAILIES
Full graded or non-graded dailies workflow with direct communication with post, VFX and editorial. Working with davinci resolve for transcodes and Industry standard Pomfort Silverstack Pro for data transfers and metadata manage.
CLOUD
Daily Cloud service uploads (or via clients server) with fast fibre transfer to be on day with dailies.
I recently heard a phrase about pushing a little bit further when it comes to finding the right contrast values for a look that says: